Ideally conceived following the modelling of a single sheet of paper, One Page is a tribute to the continuity of forms that enhance the sculptural poetics of Ron Arad – author happily suspended between design and artistic gesture – and the manufacturing expertise of Moroso. The “sheet” is spread over a double layer: the rigid polyurethane support structure for the outer part and the flexible polyurethane padding for the inner one.
“There are roughly two types of projects. Some are born from an intuition and lead you to wonder what is the right material, technology and manufacture to make it. – explains Ron Arad – One Page belongs to the second group, because it is an armchair born from a technology and a series of possibilities that were not there before. Specifically, we created One Page using the possibility of overlapping two frames”.
The result is an armchair in which seat, armrests and back give life to a continuous enveloping that does without pillows and padding and enhances comfort, among the main focus of the project, as a theme of ergonomic research. The particular production process superimposes a soft and flexible printed part on a rigid shell, freeing comfort from traditional padding. A further level of challenge concerns the search for the upholstery, in fabric or leather, which becomes the vehicle to transmit to touch and sight the beauty and sensory harmony of the seat.
Designed for both the residential and contract markets, One Page has a five-spoke swivel base in die-cast aluminium and is available with or without a tilting mechanism. The footrest is made with the same production technology, in total design harmony with the conceptual and functional characteristics of the chair.
Since the 1980s, his work has been provocatively at the border between sculpture, architecture and industrial design, with an incessant creative process able to mix artisanal techniques and advanced industrial technologies. The expressionistic use of metals such as steel and aluminium, in the meeting with Moroso, resulted in morphological experiments in the field of padding that gave rise to products that have become design icons, such as Spring Collection (1991) and Misfits (2007).
Many of his works are on display in the permanent collections of the Centre Georges Pompidou in Paris, the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Vitra Design Museum in Germany.